Muffat, Georg (1653-1704) - Florilegium Primum  Ref: 5--001 An extraordinarily versatile work, described by the composer as inteded to be "played by a quartet or quintet or larger ensemble" and supplied in this edition with optional continuo and double bass parts. Trained in Paris, Muffat wrote this collection of seven suites in order to introduce the French style to the Prince-Bishop of Passau, to whom he was Kapellmeister. Its historical importance is recognized, but its thoroughly attractive music deserves to be more widely enjoyed. The present edition is closely based on the original 1695 edition, and restores many details that were missing in the more widely available 19th century edition in the Denkmaeler der Tonkunst in Oesterreich series. Additional editorial slurs in this edition, intended to enhance the inherent grace of the music, are bracketed to distinguish them from the very small number of bowing marks in the original. The aim of this edition is to maximise its versatility and to make the music accessible not only to early music specialists but to chamber music players who can enjoy its fresh and lively character without necessarily attempting an authentic French baroque style. In this spirit it has been successfully used in an educational context, without attempting the baroque ornamentation. The double bass part may be found useful by school orchestras, for whom the work is well suited. The equally optional keyboard continuo part has been designed not only to complement ensemble performance but also to give adequate support to performance by a solo violin or flute - not envisaged by Muffat, but perfectly possible! Illustrative audio extracts in a very stylish authentic performance are included by kind permission of Ars Antiqua Austria. In their recording, continuo is supplied by a discreet touch of chamber organ. For orchestral use we can supply sets of parts to match the available forces. For pricing and details of ordering procedure please contact us stating your exact requirements.